

June 18, 1998
In an age of nascent equality between the sexes, the issue of who leads
when dancing woudn't appear to be one of the more vital skirmishes in
the battle. But in this documentary, the sexual politics of Argentina
take on a new form - is the woman merely an adornment to the man when
dancing the tango, there to add brilliance to the his performance, or
does she have a proactive role to play??
In the true indie spirit, filmmaker Adam Boucher, armed with a Hi-8
camcorder, a Steadicam rig and a couple of lights, got on a flight to
Argentina still reading the 'how-to' manuals. Three years later, what is
obviously a work of laborious obsession - Tango: The Obsession - brought two sold-out houses to
the Enzian, filling it with people who would not ordinarily come to a
film festival, asking where they could buy the video, surely an indicator of the success of the festival as a means of promoting indie cinema.
Enough of the background b.s. - you're surely asking yourself, well, is
it worth seeing? A dozing head next to me, and many "that was just too
long" comments belie the fact that this is a 90 minute piece, though I
was kept interested. Maybe it was info overload, as this is not only a
history of a dance, but a socio-political swathe across a century of
gauchos, machismo and the McDonaldization of an increasingly bland and
uniform Western world. Tango has evolved from scarcely acknowledged African origins and
high society that thought of the dance as obscene, through a world war in which nothing came into the country and the dance's development as an association with two things: nostalgia and displaced immigrant men
lamenting being abandoned by women. Nowadays, it's likened to an
orgasm - they aren't all the same! - a music that enters through the
ears and is transmitted through the heart to the feet, an antidote to
the stress of contemporary life.
Clearly, a dance is much more than its form; it's a microcosm of the
interaction between the sexes and here, also between generations. The
choices of leisure activities might not be so stark nowadays as between
the tango and football, but those 3 minutes, holding the woman "like a
baby", encompass the history of a nation - "donde estuve, que paso - hay
que sentir" (where I was, what happened - you have to feel). It clearly
takes more than two to tango.

Peter Lewis
A true African-American, Peter has led a peripatetic lifestle, and after
graduating from UCF with a film degree, he is pondering life as another
wannabe, devoting his time to working on a novel, his thesis film, a
suntan and the dubious benefits of Rogaine.
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